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THE LAST KNOCK presents: Creature Feature Weekend
Creature Feature: All Creatures Here Below… Gettysburg’s Creature Feature Weekend debuted in 2019, and presented a modest alternative to bigger and more crowded East-Coast horror conventions. The con brought a fine group of guests and quality vendors to an out-of-the-way venue, while signaling a burgeoning interest in Pennsylvania-based horror cons. Return of the Weekend After…
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THE LAST KNOCK presents Saint Maud
Saint Maud: All Hail If you haven’t seen Saint Maud as of yet, have no fears, we won’t spoil a thing for you. But we will explore what sets Rose Glass’ film apart from the rest of the horrors flirting with religious overtones – or undertones. The first-time feature film writer/director delivered an intriguing dramatic…
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THE LAST KNOCK presents Nautical Horror
Nautical Horror: Crests and Troughs We’re talking about ship related horror, but you can forget about the “Ahoy, matie!” crap. With Nautical Horror, we’ll look at those films that either rise above on the high seas or sink below the waves. After all, it’s hard to get more isolated then being on a ship with…
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THE LAST KNOCK presents: Psycho Goreman
Psycho Goreman: Psycho or Psych-Out? Writer-director-special FX guru Steven Kostanski made a name for himself as part of the renowned Astron-6 collective. Films like Manborg, Father’s Day, and The Editor show his multi-faceted creativity in full force. With Psycho Goreman, Kostanski and company attempt to mash-up PG-rated family values, alien creatures in latex suits, and…
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THE LAST KNOCK presents: Blockbuster Horror
Blockbuster Horror: Does Hollywood Do the Genre Justice? We take a look at blockbuster horror films. That means those high-budget horror films that come out of Hollywood. What’s high budget? Most horror films fall into the $4 million or less category, which is low-budget for Tinsel Town. And for the record, those super-independent films, like…
