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Go-to Horror by Crash
Go-to Horror: The Why Behind the Rewatch Oftentimes, I’ll sit for up to 40 minutes rummaging through a search of horror movies on Amazon Prime and Netflix. This usually leaves to utter disappointment. Granted, I may succumb and check out a newly added horror on either venue, even though I know it will fall flat.…
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THE LAST KNOCK presents Saint Maud
Saint Maud: All Hail If you haven’t seen Saint Maud as of yet, have no fears, we won’t spoil a thing for you. But we will explore what sets Rose Glass’ film apart from the rest of the horrors flirting with religious overtones – or undertones. The first-time feature film writer/director delivered an intriguing dramatic…
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Raw by Jonny Numb
Raw: The Future is Fucked The MPA ratings descriptor for Raw is an instance of the anonymous panel making a moral judgment on a film. “Aberrant behavior” leads the lengthy list of material supposedly unsuitable for those under 17. Jennifer Lynch’s Surveillance earned an R rating, at least in part, due to “a scene of…
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THE LAST KNOCK presents Nautical Horror
Nautical Horror: Crests and Troughs We’re talking about ship related horror, but you can forget about the “Ahoy, matie!” crap. With Nautical Horror, we’ll look at those films that either rise above on the high seas or sink below the waves. After all, it’s hard to get more isolated then being on a ship with…
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THE LAST KNOCK presents: Psycho Goreman
Psycho Goreman: Psycho or Psych-Out? Writer-director-special FX guru Steven Kostanski made a name for himself as part of the renowned Astron-6 collective. Films like Manborg, Father’s Day, and The Editor show his multi-faceted creativity in full force. With Psycho Goreman, Kostanski and company attempt to mash-up PG-rated family values, alien creatures in latex suits, and…
