Tag Archives: Independent

THE LAST KNOCK presents: Interview with Ron Shaw

The Last KnockRon Shaw is a writer, author, poet, podcaster, retiree, husband, father, and the man behind Ron Shaw Media. We discuss his latest horror novel, “Uya” and its Native American origins besides bigfoot, ducks in trees, land sharks, and the haunted Victorian trunk in his garage.

Take a look at Ron’s tremendous body of work  at his author’s page on Amazon, and don’t forget to follow him on Twitter.

This episode’s SCREAM OUTS from Twitter: 

@palkodesigns @JonnyNumb @Kent_Harper @livF2 @vanyavetto @1Brandonwyse

Get Ron Shaw’s Uya with a cover from Palko Designs.

THE LAST KNOCK presents: Horror Double Feature: SPLIT and THE BLACKCOAT’S DAUGHTER

The Last Knock

Another interesting mix of horror with M. Night Shyamalan’s Split and Oz Perkins’ The Blackcoat’s Daughter. We’ll explore what works, what doesn’t, what’s cool, and what’s a far cry from worth watching.

We’ll discuss if Night’s slipping even though he’s returned to making “smaller” films. But is Oz Perkins’ star rising? Both films have received mixed reviews, but for horror fans, The Blackcoat’s Daughter seems to have an edge. We’ll weigh in, and don’t forget to share your views in the comments section.

This episode’s SCREAM OUTS from Twitter: 

@AFiendOnFilm @Mark_Cassell @TraCee_tr @GuyRicketts @LizzyStevens123 @wilkravitz @KissedByFate2 @tammysdragonfly @SeanMaxwell @RealJillyG @PromoteHorror @dixiefairy @palkodesigns @BettyBuckley @kiernanshipka @juliekirkwooddp @ElvisPerkins

THE LAST KNOCK presents: Interview with Bill Oberst Jr.

The Last Knock

Bill Oberst Jr., one of the horror genre’s finest and most revered, chats with Billy Crash about movies, theatre, acting, Ray Bradbury, life, and so much more.

Please do not miss this interview with one fantastic and engaging gentleman. Bill Oberst Jr. is someone special who has earned an Emmy and many other accolades from being on the large and small screen over the past decade. Listen in and you’ll find out why he’s been so successful – and why he’s so respected.

Please visit Bill Oberst Jr.‘s website, Facebook, and Twitter – you won’t be disappointed.

THE LAST KNOCK presents: Horror Double Feature: Antibirth and The Love Witch

The Last KnockNo two horror films could be so diametrically opposed. Antibirth is a gritty bizarro film with a 1980’s flavor and The Love Witch comes on with romance through the eyes of a desperate woman. But are they worth watching? And if you’re a fan and supporter of “Women in Horror,” you’ll definitely be interested in these two independent movies.

We go knee deep into both features and deliver our take on Antibirth, The Love Witch, the people who made them, and the people who starred in them for better or worse – and definitely until death due us part.

This episode’s SCREAM OUTS from Twitter: 

@TimothiousSmith @TraCee_tr @dkarner @SamesCarolyn @AFiendOnFilm @Kent_Harper @aicforever @cbkillers @RealJillyG @BleedingCritic @isaacrthorne @d_m_elms @palkodesigns @JessicaCameron_ @CarnEvilKlown @RonGizmo @CrypticPictures @nicolemalonso @OklahomaWard @missannabiller @msrobinsun @GianKeys @JeffreyVParise @antibirthmovie @nlyonne @OfficialChloeS

THE LAST KNOCK presents: Interview with David Wilde

The Last Knock

Independent filmmaker, David Wilde, visits THE LAST KNOCK to discuss his latest feature, the crime thriller, Cold-Blooded Killers. The story revolves around a pair of hitmen on the Scottish Island of Arran who have three days to take out their target.

David Wilde also talks about funding independent films, the making of his horror film Screen starring Nikki Alonso of Crawl or Die, the Hollywood machine, and what happened when he visited the set of “Star Trek: The Next Generation.” He’ll also give us the latest on his Crime Lord serial, which will recommence shooting this summer. Don’t miss this candid and entertaining interview with one driven artist.

You can find David Wilde on Twitter and Instagram, and check out his projects: the Twitter and site for Crime Lord, and the Twitter and site for Cold-Blooded Killers.

 

THE LAST KNOCK presents: Interview with TTBO Productions and Owen McCuen

The Last Knock

Kyle Schiffert and Ryan Fox of TTBO Productions, and actor Owen McCuen stop by to speak with Billy Crash about their latest full feature venture. The team’s creating the science fiction time travel thriller, Replace Yourself. A man goes back in time to save his wife and daughter, but he can’t come back, and his old self’s already there…

Find out TTBO Production’s plan to get this indie film squared away, how the phenomenal Owen McCuen fits into the mix, and how you can be a part of the production by visiting their Kickstarter.

THE LAST KNOCK presents: Interview with Lawrie Brewster and Sarah Daly

The Last Knock

Director Lawrie Brewster and screenwriter Sarah Daly, the team behind Lord of Tears Joy, bring you their intriguing horror feature, The Black Gloves. This independent horror team discusses how the film came about from concept to post-production, why they chose to film this great looking period piece in black-and-white, and how they approach the horror genre.

And you can help support the post-production efforts for The Black Gloves on Kickstarter – and get some excellent perks in the process!

THE DARK TAPES (2017) by Dee Emm Elms

[98 minutes. Not rated. Directors: Vincent J. Guastini, Michael McQuown]

As soon as I finished watching the horror film The Dark Tapes, I realized that I had a big problem as a movie reviewer. I wanted to immediately get the word out to encourage other people to find the movie and see it – but I also didn’t want to give much of anything about it away to anyone. I came into the movie almost completely cold, and that’s how I think everyone should see it. And, believe me, I think everyone should see it. Just watch it. It’s that good. But for those who need more convincing, I’m offering as much of a spoiler-free review here as I can. That’s how much I want you to see The Dark Tapes.

In telling you that this movie joins the ranks of The Blair Witch ProjectThe Poughkeepsie Tapes, and Alien Abduction, you can probably guess that The Dark Tapes is a found-footage movie. The title kind of gives it away. And let me add that before pressing “Play” on my remote control, I thought the title seemed uninspired and bland. After watching it, I realized that the title is perfect, and I wouldn’t want anyone to make a change. Its rather-generic name belies its contents, which is kind of a central theme to much of the movie – that what you see isn’t what you get, that conventions can and will be subverted in ways a viewer may not expect, and that sometimes it’s the most unassuming things that can hide the biggest and most sinister secrets.

So many found-footage movies try to compensate for a limited budget by being loud and shocking. They throw things at the camera over and over, or feature loud “stinger” sound effects or screams to hide the hollowness of their contents.  The people who made The Dark Tapes know this, and they play with the audience’s expectations of this in a variety of ways throughout the movie. I didn’t jump in my seat even once during The Dark Tapes, and if you think that’s a bad thing… well, I submit that you don’t know much about horror beyond its ability to provide the odd adrenal rush.

The Dark Tapes is about the horror of dawning realization. It’s about the horror of creeping dread. Right from the first segment, it draws your interest and makes you question what it is you’re seeing. It drops you right into its world. That could be a weakness for less-aware filmmakers, but I suspect it’s done here with definitive intent. Because from the first moment to the last, The Dark Tapes pulls off a trick that only the absolute best found-footage movies can manage: keeping you in that perfect horror movie moment where you’re in a state of perpetual dread, in that feeling you get when you hear the clickity-clack ride up the roller coaster… right before the big drop. Except that The Dark Tapes isn’t about the big drop. It’s about the ride climbing and climbing… and then coming to a sudden stop, and leaving you there – waiting for a more existential drop. With The Dark Tapes, you don’t get to release the tension the movie builds until after you finish the movie. This film leaves you halfway up the climb – perhaps suspended there, perhaps hanging upside-down, and waiting for a rescue that you know in the back of your mind just isn’t coming because that’s not how the world really works. In the world of The Dark Tapes, there’s something deeply wrong with the roller coaster we’re all on, and observing how and why – unspoiled – is one of the movie’s great pleasures.

Credit directors Vincent J. Guastini and Michael McQuown for making beautiful use of budgetary limitations. The Dark Tapes reportedly cost around $65,000 to make, but you wouldn’t know it from watching because this movie shows how creative people can overcome the shortcomings of any budget. So much work, craft, and care are evident, and special note should be made of McQuown’s clear expertise at editing that brings all these well-crafted elements together – they not only transcend typical found footage movies, but horror movies in general. In The Dark Tapes, you get a film that takes you on a journey from calm to chaos and back with the guiding hand of someone truly creative who knows what they’re doing and isn’t wasting a second of what you see onscreen. And, in a way, even that deft editing could be interpreted as something sinister. But I’ve said too much already.

Performances throughout The Dark Tapes are natural when they’re supposed to be, and unnatural when… well, let’s say when you’re dealing with the unnatural. Again, my desire to keep your experience undiluted prevents me from saying much else.

However, I do want to give praise to Cortney Palm as Nicole Fallek, and David Roundtree as Martin Callahan. Both play characters who are dealing with fear, panic, and realization – while also keeping their heads in bizarre circumstances. Like everything else about The Dark Tapes, their work displays a delicate balancing act that ramps up the tension while remaining believable. Future found-footage moviemakers could learn a lot by observing how these two performers play out their reactions to what they’re experiencing.

I want to, mysteriously perhaps, levy praise on a pair of elements: the visible and audible in-movie work of Guastini, McQuown, and Ryan Allen Young that I simply can’t reveal further without spoiling. The things I’m talking about literally gave me goosebumps on five different occasions. You’ll know them when you see and hear them. And, if you’re like me, you’ll never forget them.

Likewise, I don’t think you’ll forget The Dark Tapes. It’s a movie made by legitimate talents that gets at the heart of what makes movies scary, and what makes horror movies both unnerving and delightful. When the film ended, I felt like I could watch five more movies set in the world of The Dark Tapes, each telling different stories. If more is to come, I’ll be waiting – with a blanket pulled over my head in that mix of anticipation and fear.

Because in the world of The Dark Tapes, the truth isn’t out there – it’s right behind you.

Crash Analysis Support Team:

Dee Emm Elms was born in 1972 in Glens Falls, New York. Dee writes about many subjects ranging from social justice issues to Lost In Space, and often mixes them together. Her favorite topic is horror, and horror movies in particular. Her novel Sidlings may be read at sidlings.com, and she would be pleased for you to check it out.  Dee may be contacted at her email sidlingsnovel@gmail.com, or her Twitter: @d_m_elms.

(Movie poster from Teaser Trailer. Dee Emm Elms photo via Dee Emm Elms.)

THE LAST KNOCK presents: Interview with James Cullen Bressack

The Last Knock

At just twenty-five, James Cullen Bressack has managed to rock the horror genre with a multitude of films from My Pure Joy to 13/13/13, and to his very latest, Bethany, about a woman who moves back into her childhood home…

James’ feature film career began at eighteen after Robert Rodriguez’s El Mariachi inspired him to make his own movie on a micro-budget. Listen in to learn about James’ upcoming films, his work with Zack Ward and Shannen Doherty, and why you should see his latest venture, Bethany, starring Stefanie Estes.

THE LAST KNOCK presents: Interview with Kent Harper

The Last Knock

Kent Harper‘s no slouch: He has six features on the way, and besides acting, he’s also a writer, producer, and director. Thankfully, he was able to take a break from his day to talk about his approach to acting, film, and life in general, as well as his experiences on the set of Surveillance, which he co-wrote with Jennifer Lynch. Horror fans may often see Kent Harper as a formidable force on-screen, but he’s so much more than that. Learn about the mind behind the man, and what’s up with his forthcoming films: Villainous, Deterioration, and A Blast of Sunlight Explodes.

Follow Kent Harper on Twitter and Instagram and see everything he has going on with IMDb!

(Photo from Kent Harper.)